

Things I Did Not Learn While Reading “Abraham Lincoln’s Death Scene”:
-AL had no middle name
-for a short while during his childhood, he lived in a dugout on the side of a hill in Indiana
-he was a local wrestler and skilled with an axe
-his political career began at the tender age of 23
-he shared a bed with his “friend” Joshua Fry Speed for four years
- he had four sons with wife Mary Todd (this was after he got out of bed with Joshua) but only one lived to adulthood (sad)
-he ran as an underdog for the Republican party in 1860 and he did not campaign or give speeches
Ok, let’s skip to his death: He was planning to go see Our American Cousin with General Grant and when Grant canceled at the last minute, Lincoln expressed to Mary that he no longer wanted to go. Obviously, that would have been the smart move.
-his guard was drunk and left his theatre box unattended to nab a drink so You Know Who snuck in and shot Lincoln with a derringer in the back of the head and then jumped off the balcony onto the stage; the assassin breaking his shin in the process.
-Lincoln died at approximately 7am the following morning
-there were at least four conspirators in addition to Booth
So, I basically ordered Zach Schomburg’s “Abraham Lincoln’s Death Scene” no more than a minute or two after Jen Tynes of horse less press sent out the “new release” e-mail (yeah, I'm a dork). His chappy arrived a few days ago and low and behold, I have copy 17/50 (the design is lovely, by the way). This leads me to believe that there are some crazy poet Paypal clickers out there. You should go on Jeopardy and win lots of money. I’d be terrible at Jeopardy but I would have cleaned up if I had been on Where in the World is Carmen San Diego as a kid. Pass me my time machine, please.
Things I Thought About While Reading “Abraham Lincoln’s Death Scene”:
Ooh, a time machine is a good segue because Schomburg transports us to a strange and eerie 1865 on the eve of Lincoln’s assassination. Reading this collection of poetry is like experiencing this chain of events:
1) going to your old home for the first time in ten years
2) looking into the bedroom of your youth and sensing that the sizes of your desk, bed, and bureaus are very different from how you remembered and that the angles are askew in a way that feels unreal but must be true
3) leaving your bedroom and climbing up to the attic (even before you’ve had a chance to sit down at the kitchen and drink a glass of water after that long drive home)
4) turning on the attic light and then walking past old rocking chairs, a Malibu Barbie swimming pool, your brother’s beebee gun, a folded stack of lace table clothes before
5) finding an old wooden box and opening it
6) to discover your ViewMaster circa your childhood.
The poems are surreal, 3D movie stills and as you turn the page to the next one, it’s like clicking the ViewMaster and moving through an event that is both familiar and foreign. There is a progression, but what you see has been chosen for you in bizarrely packaged segments, which build on each other and also jump around. Like your older brother took a few stills out of the ViewMaster reel and switched the order so when you click through it, the sequence is slightly off-kilter- which makes what you would normally expect beautiful and unnerving. Your older brother has also spliced in weird images over the ones you had anticipated to see. Ok, enough with this analogy.
The narrator of ALDS recollects both tenderly on this evening as the second date with his now much older wife, M, and with stony observation towards the unusual events they witness together. It is an intricate balance I don’t see many people pulling off these days, particularly because each poem has a tight composition- there are no line breaks so the growing intimacy the speaker feels towards M rubs up against the detached observations he makes about the assassination scene(s).
I wanted to show you two poems I particularly like but since chapbooks are small, I’ll only show you one so that when you buy it, a higher percentage will be new:
A string of fish. A blood-spattered tuba. A golden egg.
A live nativity scene. An artist painting this. Rhubarb
pie. A floating bathtub. Booth’s nub for a hand, blood-
spattered. Lincoln’s discarded leg brace, aflame. A man
in a crow costume killing a women in a dove costume.
Her soul rising from the dove’s beak. Actual crows car-
rying the soul away.
We could have a discussion group about the theory of witness and testimony in history in relation to ALDS and we could talk about Walter Benjamin’s “Theses on the Philosophy of History” and Carolyn Forche’s “The Angel of History” but I won’t do that to you. But I am thinking about it.